Saves The Day - Under the Boards
Rating
RIYL
Say AnythingFall Out Boy
The Beatles
Label
Vagrant RecordsTracklist
1. Under the Boards2. Radio
3. Can't Stay the Same
4. Get Fucked Up
5. When I'm Not There
6. Lonely Nights
7. Bye Bye Baby
8. Stay
9. Getaway
10. Because You Are No Other
11. Kaleidoscope
12. Woe
13. Turning Over In My Tomb
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The opening track from Under the Boards isn’t going to make old-school fans of Princeton, N.J.’s Saves the Day very happy. If the band’s movement away from its hardcore origins that started with 2001’s Stay What You Are shook off heavier-minded listeners, the newest release won’t do much to reclaim those mosh-pit dwellers. And that might not be such a bad thing.
It’s easy to declare the point at which a band “matures” – generally, this also coincides with the time when that same group shakes off a number of its fans and gains a completely new fan base. For Saves the Day, Under the Boards might be that point.
The band doesn’t completely move away from its peers, many of which are often lumped into that increasingly meaningless genre of “emo.” Certain tracks, such as the short and punchy “Can’t Stay the Same,” could as easily appear on the next Fall Out Boy or My Chemical Romance album. But Saves the Day's most distinctive quality on Under the Boards is their adoption of classic rock conventions, such as the epic “Kaleidoscope,” which nearly steals a riff from Foreigner’s “Cold as Ice” and unquestionably, a jangly, catchy sound that owes more than a share of its origins to a certain mop-topped foursome from Liverpool.
That Beatles influence is so heavy in “Lonely Nights”, right down to the reverb on singer Chris Conley’s vocals during the chorus. John Lennon should be rolling over in his grave asking for royalties. The very next track, “Bye Bye Baby” hearkens to the Fab Four’s earlier work with perhaps some shades of the Beach Boys mixed in as the drums pound out a jaunty, surf beat while Conley’s multi-layered vocals soar into a near falsetto.
There are a few fleeting moments of pogo-worthy, post-hardcore energy, such as the snarling “Getaway” and high-paced “Because You Are No Other,” but for the most part, this latest edition of the Chris Conley show expands on his self-described “Beatles from hell” sound. Surely, that suits him just fine.
--PJ Perez

Comments
Columbus, Ohio
Recommending: Anberlin, Interpol, Chamberlain, House of Heroes
I definitely think In Reverie got way more shit than it deserved, although I like a lot of their other albums better.
I'm looking forward to daybreak.
Pittsburgh
I think Chris' voice has gone downhill since SWYA
www.myspace.com/mickmalonewrites
Or the dude's pink hair.
Green Brook, NJ
It's blowin' cool outside today...
Vegas!
San Borja, Lima, Perú
It's blowin' cool outside today...
Paso Robles, CA
Sometimes taking off can open up your eyes
To everything that lies in your heart.