Pearl Jam - Pearl Jam

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RIYL

Soundgarden
Mudhoney
Stone Temple Pilots
Screaming Trees

Tracklist

1. Life Wasted
2. World Wide Suicide
3. Comatose
4. Severed Hand
5. Marker In The Sand
6. Parachutes
7. Unemployable
8. Big Wave
9. Gone
10. Wasted Reprise
11. Army Reserve
12. Come Back
13. Inside Job

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How can one summarize and analyze a band like Pearl Jam? They’ve been around since 1990 (1988 if you want to count Mother Love Bone); they’ve sold millions of records; and on top of a slew of live albums, they’re releasing their eighth studio album in 2006.

Simply titled Pearl Jam, Vedder, Gossard and crew have returned after a four-year absence following their 2002 release, Riot Act. Although Riot Act displayed the softer side of Pearl Jam, it ran out of gas quickly and wasn’t well received by fans and critics alike. Before that, they released the even less popular Binaural in 2000. Needless to say, fans and critics were wondering if the last band from the grunge explosion had finally run out of fire.

Whether or not Pearl Jam is out to please fans with this latest release, Pearl Jam is still easily the band’s best release in six years, and arguably their best since 1994’s Vitalogy. Opening with “Life Wasted,” Pearl Jam’s energy and execution is vicarious, and the tone of the album is instantaneous: pure, unfiltered rock n’ roll. Filled with melody and solos, “Life Wasted” and the following track, “World Wide Suicide,” are powerhouse rock songs that annihilate any doubt of Pearl Jam’s songwriting skills, and their ability to captivate listeners after 15 years. “World Wide Suicide” is one of Pearl Jam’s best tracks in years, and is absolutely electrifying with a simple, catchy chorus. This is guaranteed to be a fan favorite.

The energy of the first two tracks doesn’t decrease through the next three songs – “Comatose,” “Severed Hand,” and “Marker in the Sand” – once again displaying Pearl Jam’s invigorating, relentless rock n’ roll energy. Although the aforementioned tracks may slow in pace, alter in melody, or vary in mood, one thing remains constant: Pearl Jam’s vigor. The band sounds eager, frantic, and almost desperate, but they never lose their cool; instead, they kick sleepy, imitation rock n’ roll right in the ass, and remind us all what real rock sounds like.

Major tempo changes in Pearl Jam begin with “Parachutes,” a mellow, introspective track that never loses direction or purpose as many softer tracks on rock records do. Starting with “Parachutes,” Pearl Jam shifts its focus towards a noticeably softer tone with the exception of the supercharged “Big Wave,” quite possibly the album’s most intense track. Aside from “Big Wave,” Pearl Jam displays their near perfected mid-tempo rock n’ roll form through “Unemployable” and “Army Reserve,” before ending with the epic “Inside Job.”

Pearl Jam has always been a politically and socially active band, noticeable both through the band’s actions and Vedder’s leftist lyrics. Pearl Jam is no different. Vedder is critical of the Bush administration, war, and American culture, but even if you don’t share Vedder’s political views, his lyrics aren’t transparent enough to really get under your skin. Besides, remove the lyrics, and you still have one of rock’s best vocalists with one of rock’s best bands. The music is enough to carry the album.

While Pearl Jam is a return to the band’s roots of sorts, the band still makes conscious efforts to alter their sound, while simultaneously maintaining their traditional, definitive sound. Hints of psychedelic rock, funk, southern rock, and folk rock appear throughout the album; however, there is no denying this is Pearl Jam’s grungiest album in over a decade.

As grunge’s last surviving band, Pearl Jam continues their creative career, solidifying their position as one of the best rock n’ roll bands in history. Although the music on Pearl Jam isn’t necessarily earth shattering, life altering or genre defining, it is still some of the best traditional rock n’ roll to hit shelves in years. These guys have never sounded as cohesive and united as they do on Pearl Jam.

At times, it seemed like Pearl Jam would fade away and creep towards a slow, unnoticeable death, but this eponymous release not only slowed their decay, but it also put death on an indefinite, extended hiatus. Expect more great things from this historical band for years to come. There might be future releases that are a weaker than others, but as long as they release an album like this every few years, then fans and critics will never grow tired of hearing one of the last, sensational, original rock n’ roll bands.

--Kamran Rouzpay

Author

Kamran
Last updated: 09/29/2009 08:54PM

Comments

Dave Spak
05/02/2006
09:52AM
Location
Boston, MA
Good review. This album really impressed me. I'm listening to Parachutes right now
JohnnyL
05/02/2006
10:06AM
Age: 30
Location
Columbus, Ohio
Seriously though, whats with the cover art?

Recommending: Anberlin, Interpol, Chamberlain, House of Heroes

Rick Gebhardt
05/02/2006
10:13AM
Age: 31
Location
Minnesota
JohnnyL
Seriously though, whats with the cover art?

Agreed. The cover gets an F-.

Find me EVERYWHERE:

M.J.Austin
05/02/2006
10:29AM
Location
Dallas, Texas
seen worse.
Jayme Barkdoll
05/02/2006
10:37AM
Location
Tuscaloosa, AL
M.J.Austin
seen worse.

um yeah, can we say Tarwater's Dwellers on the Threshold? A buddy of mine at work would agree whole-heartedly with me on this one... awful artwork.
JohnnyL
05/02/2006
10:45AM
Age: 30
Location
Columbus, Ohio
what is that? like an avacato?

Recommending: Anberlin, Interpol, Chamberlain, House of Heroes

tim
05/02/2006
11:26AM
Age: 28
Location
Green Brook, NJ
while i agree with the fact that this is an amazing record, what's with the comments about riot act and binaural not being well-received? both were loved by critics and the former sold quite a lot of records and was their best-selling release in awhile. just throwin' that out there.

i've been a huge pearl jam fan since i was old enough to understand what music was, and ten was my first cd, and this is my favorite cd by them since vitalogy. love everything but the cover.
Kamran
05/02/2006
11:31AM
Location
The Great North Woods
well, i'm going from personal experience. a number of fans didn't like those last two, and while some critics may have given decent marks, i saw a lot that gave them 3/5 range at the very most.

Darla Farmer
RIYL:
the Beatles
Tom Waits
Murder By Death
A Whisper in the Noise
the Blood Brothers

rustycage
05/02/2006
12:42PM
Inside Job is sooooo good I don't have any words to describe it.
Lost_in_Translation
05/02/2006
02:29PM
wait. isn't that the cover to the hellogoodbye album?
Dave Spak
05/02/2006
02:41PM
Location
Boston, MA
Lost_in_Translation
wait. isn't that the cover to the hellogoodbye album?


Yes, except that Hellogoodbye's cover was a humorous take on Andy Warhol's cover for The Velvet Underground whereas the Pearl Jam cover just looks retarded.
danus
05/03/2006
07:27PM
i havent heard this album yet but i've been seeing a ton of mixed reviews...they either hate it or love it.
SketchesOfSpain
05/03/2006
08:02PM
Location
rhode island
Yeah, with PJ and Tool having so many fans it's hard to please everyone. PJ always puts out records that sound different from their last. They haven't released a bad album in my opinion.
lucky
05/09/2006
08:46PM
Age: 29
Location
Columbus, Ohio
I really like Marker in the Sand. My boyfriend pointed out that the chorus never actually resolves itself, and just when you think it does, it goes back into the rest of the lyrics.

I love Pearl Jam. I can't wait to see them on May 20 in Cleveland.

I will trap you in a song tied to a melody, and I'll keep you there so you can't bother me.

reavolution

Rick Gebhardt
07/17/2006
08:23AM
Age: 31
Location
Minnesota
This is starting to grow on me. I think that "Come Back" is one of the more bittersweet and heartfelt songs I've heard in a while. I love it and hate it at the same time. Love it because it's such a great song but hate it because I can relate to it all too well.

Find me EVERYWHERE: