Modest Mouse - We Were Dead Before the Ship Even Sank

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RIYL

Built to Spill
Pixies
Wolf Parade
The Dismemberment Plan

Tracklist

1. March Into The Sea
2. Dashboard
3. Fire It Up
4. Florida
5. Parting Of The Sensory
6. Missed The Boat
7. We've Got Everything
8. Fly Trapped In A Jar
9. Education
10. Little Motel
11. Steam Engenius
12. Spitting Venom
13. People As Places As People
14. Invisible

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3 ratings

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The line between the mainstream and the underground becomes more blurred as each day passes. ‘Indie’ bands are debuting in the top ten on Billboard. Garden State has brought The Shins endless amounts of fans. It has become harder and harder to define what indie culture is these days. One of the biggest surprises came when Modest Mouse attained a number 1 single. It’s no secret that they had been signed to a major label since 2000, but no one expected such an abrupt burst in popularity. This is one of indie rock and roll’s most coveted bands after all. The affect this had on the band’s fanbase was easily recognizable. It’s like when people first heard The Postal Service in a commercial. It was somewhat surprising but it wasn’t necessarily a bad thing. Eventually everyone got used to the fact that they were going to be featured in commercials much like how people are used to the fact that Modest Mouse is a major label act.

These changes sometimes give people a sense of betrayal. Everyone has their bands that feel especially poignant and important to them. Once everyone else catches on, it loses some of what made it particularly special to you. That’s why you can’t entirely get annoyed at people who scoffed at Modest Mouse’s newfound popularity. But the truth of the matter is the band never compromised their sound. Yes, I finally said it. “Float On” wasn’t a clever marketing ploy; it was an incredibly well-written heartfelt song and everyone couldn’t help but notice. The lyrics had a certain feel that contained a little something that everyone can relate to and that’s what makes Isaac Brock such a good songwriter.

It’s been almost 3 years since Modest Mouse released their last album, Good News for People Who like Bad News featuring the single that catapulted them into stardom. This leaves the band with one of the most anticipated releases in recent memory. Once the first single, “Dashboard”, hit the airwaves, the response was immediately mixed. I wasn’t too impressed with its slightly catchy and danceable indie rock sound, which is rather popular right now and not particularly riveting. Luckily, this wasn’t much of an indication of how the rest of the album sounds. Much like their previous full-lengths, the band is not content with leaving you listening to a straightforward album. We Were Dead Before the Ship Even Sank sends you on an auditory journey lasting over an hour. While a lot of indie rock has the reputation of being uneventful, Modest Mouse is anything but.

The band isn’t going into this adventure alone this time. They have brought along a couple of their friends. Most notably, the band has recruited Johnny Marr (The Smiths) as a member playing guitar and co-writing songs. It’s interesting to see Marr go from being an influence on the band to being a member. The addition proves to be a success with Marr perfectly complimenting the direction they have taken. Also featured on this album is The Shin’s vocalist James Mercer who can be heard on “Florida”, “Missed the Boat”, and “We’ve Got Everything”. These also happen to be the catchiest and most accessible songs on the album. Any one of these 3 songs would have made a better single than “Dashboard”, especially the incredibly infectious “We Got Everything.”

The rest of the album shows much more experimentation. “Parting of the Sensory” begins with a somber acoustic introduction before it erupts into the frantic chants of “some day you will die somehow and something’s going to steal your carbon.” The result is one of the most memorable tracks on the album and it proves to be as ingenious as anything Brock has ever written. “Fly in a Jar” has some interesting guitar opening the track and mimicking the sound of a fly. Another standout would be “Little Motel” which is a lush ballad featuring some gorgeous spacey guitar resonating over the rhythm section. Fans who thought they were done writing epic songs like the ones found on The Lonesome Crowded West will be pleasantly surprised with “Spitting Venom.” On this song, the band combines some droning ambiance and trumpets with Isaac Brock’s vocals which still seem to be derived directly from Black Francis (Pixies). The lyrics remain as introspective and philosophical as ever.

This album shows effective variation in songwriting coupled with the consistency of their familiar sound. If you have followed the band this far in their career, there is no reason to abandon ship yet. This is not the album that is going to sway people’s opinions who already disliked the band because, despite the addition of band members and change in the dynamics of songs, it is still unmistakably Modest Mouse. In the end, indie rock can simply be defined as a style of music. Whether you are able to reach a massive audience due to a major label is more or less irrelevant. As long as the aural and aesthetic nature remains true, it will always be indie rock and that’s just how I like it. I’m glad to see that Modest Mouse can recognize that as well.

--Dave Spak

Author

Dave Spak
Last updated: 09/29/2009 08:55PM

Comments

Great Refuser
03/20/2007
09:13AM
Age: 32
Location
Colorado Springs, CO
Great review, couldn't agree more, this is a fantastic album!
The Breeze
03/20/2007
09:25AM
Location
Alabama
I enjoy this album!
LiquidHeaven
03/20/2007
11:38AM
Location
SL, UT
I am not particularly enthused with Mercer's appearance on the album. I don't like the counter-balance he adds to Brock's voice. I feel like there is less quirkiness on this album than previous albums and do not feel this album is as good as their past albums.

It is still a solid album but not a great one. I'd give it 3.75*s, not quite 4 but better than 3.5

Trollin' with my homies.

daganjatribe
03/20/2007
01:28PM
Location
Austin
awesome review, awesome disc

The Daily Galaxy
An elephant that never forgets...to kill!

Marc1
03/20/2007
02:32PM
To be honest, I've never understood the appeal of Modest Mouse at all. In my opinion, their songs not only sound the same but are extremely annoying. I tried to listen to the album to see if anything has changed, but couldn't make it through half of a song in most cases, it just sounds terrible to me....maybe some bands just rub people the wrong way because I'm sure there are many with similar musical taste that likes them fine.
Sins Of Arcadia
03/20/2007
02:47PM
Age: 28
Location
Florida, USA
One of the worst bands of all time.
LiquidHeaven
03/20/2007
02:57PM
Location
SL, UT
Sins Of Arcadia
One of the worst bands of all time.



:Watches as credibility flies out the window:

Trollin' with my homies.

tim
03/20/2007
03:38PM
Age: 28
Location
Green Brook, NJ
i've loved modest mouse for a really, really long time, but this is their weakest record to date. it's an attempt on their part to please everyone, and its attempts at doing so fail because they seem to have forgotten why they were one of the best bands in the world in the first place. this album is good after repeat listens, but it lacks the personality and flair of their earlier records. i'd say 3, or 3.5, tops.
LiquidHeaven
03/20/2007
04:27PM
Location
SL, UT
^Word. Mostly.

Trollin' with my homies.

Roncag
03/20/2007
04:39PM
Age: 32
Location
Anytown USA
Great review Dave. I think this album is unquestionable better than the last disc.

You play to win the game.

Firebrand
03/20/2007
05:33PM
i only listened to part of it on aol, and it sounds ok, im not really impressed as yet, b ut we'll see. Any bets as to what itll debut as?
Jayme Barkdoll
03/20/2007
08:11PM
Location
Tuscaloosa, AL
so-so release... better than the last one, but not their best.
BlakeW
03/21/2007
09:27AM
Location
Oklahoma
So, where would one totally unfamiliar with MM begin?
LiquidHeaven
03/21/2007
09:45AM
Location
SL, UT
^I'd say with their last album, Good News for People Who Love Bad News. I think it's their most accessible while staying true to the bands sound. The new one moves away from that quirkiness and moves more towards straight up rock. The new one does have some great songs but I think Good News is better. Moon and Antarctica is the best probably though. Others would say Lonesome Crowded West is the best but it's all just tastes and preferences I guess.

Trollin' with my homies.

Great Refuser
03/21/2007
11:52AM
Age: 32
Location
Colorado Springs, CO
BlakeW
So, where would one totally unfamiliar with MM begin?

Everywhere and His Nasty Parlour Tricks is by far my favorite.
JohnnyL
03/21/2007
12:11PM
Age: 30
Location
Columbus, Ohio
i loooove "dashboard" but dislike the rest of the disc.

Recommending: Anberlin, Interpol, Chamberlain, House of Heroes

LiquidHeaven
03/21/2007
02:02PM
Location
SL, UT
^Most people say thats the worst song on the album.

Trollin' with my homies.

rushreaper
03/21/2007
02:24PM
I've given it 2 spins and it's not bad at all, I don't think I'd give it a 4.5 probably more of a 3.9. I'll at least listen to it a few more times so I can hear Fire It Up. That song is stuck in my head pretty bad.
Roncag
03/21/2007
08:05PM
Age: 32
Location
Anytown USA
Yea Dashboard is definitely one of the weaker, less ambitious tracks.

You play to win the game.

LiquidHeaven
03/22/2007
08:56AM
Location
SL, UT
I like it. One of the songs with Mercer is my least favorite track. I just really don't like his voice here.

Trollin' with my homies.

LiquidHeaven
03/22/2007
10:14AM
Location
SL, UT
BTW, AMG has the best review I've read. I like Dashboard, I don't really like We've Got Everything at all (which most reviews are saying is one of the best) and while they don't mention Sptting Venom or Parting of the Sensory, they sum up my thoughts quite well. Mercer was a mistake here.

http://allmusic.com/cg/amg.dll?p=amg&sql=10:j9d0yp6jxpcb

Trollin' with my homies.