Cruel Hand - Lock & Key
Rating
RIYL
MadballMetallica
Bitter End
Alpha & Omega
Release Date
07/27/2010
Label
Bridge NineTracklist
1. Lock & Key2. Cruel Hand
3. Day or Darkness
4. Broken Glass
5. Labyrinth
6. One Cold Face
7. Rotations of Hurt
8. Dismissed
9. Two Fold
10. The Bottom
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Cruel Hand’s Prying Eyes was like a gift from the gods, mountainously imposing, a perfect union of hardcore and thrash by way of Metallica and Slayer, fueled by intense paranoia and an almost libertarian sense of privacy. Lock & Key is not a drastic departure from Prying Eyes the way that record was from Without A Pulse, though the band was absolutely right in declaring this to be no Prying Eyes Part II; it’s more like a TV spin-off—related but with a different premise. The hardcore remains intact as a foundation, but the nature of the building materials have changed, and we’re not just talking about window dressing.
New to the band are the clean vocals that appear on the songs “Cruel Hand,” the title track, and “One Cold Face”—the clean vocals on the latter two could actually be James Hetfield’s. Cruel Hand experiment a bit more with tempo shifts as well; Without A Pulse flew by in a dizzying barrage of straight hardcore and Prying Eyes kept largely to a mid-tempo pummeling. Case in point: “One Cold Face” keeps things in head-banging territory, Metallica influence front and center, including the Kirk Hammett-esque guitar solo (one of a few on display on this album, also a first), before “Rotations of Hurt” comes in and demolishes everything in sight. This is followed by “Dismissed,” which is heavy on the hardcore, Down To Nothing style, including a giant two-step part. “Two Fold” has a bit of a Prying Eyes vibe, and the title track could have come out of the late ’80s or early ’90s crossover scene.
Prior to the release of Prying Eyes, Cruel Hand was regarded as the solid side-project of members of Outbreak; following its release the band had blown a crater-sized niche for themselves in the hardcore scene and taken their explosive live show to a town near you, garnering a substantial following and generating high expectations for the follow-up. The end result is a synthesis of a wide array of music ranging from Metallica and Obituary to NYHC and crossover. If waste makes waste, then perfect begets perfect; from the flawless Prying Eyes to the equally incredible Lock & Key, Cruel Hand have proven yet again that they are a force to be reckoned with and one of the best hardcore bands in the game.
--Jake Oliver

Comments
Los Angeles
I agreed with the last 2 5 star ratings. This record however is not a 5. Good, but I don't think it merits a 5 in any way.
Minnesota
Yeah.... this is far far far from a 5.
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Infinitely Inwards
I am not a fan of hardcore music in general, so I can't give an unbiased rating to this album. The RIYL alone makes me want to turn and run.
Cult of Luna - Vertikal
Persefone - Spiritual Migration
Amplifier - Echo Street
Agrypnie - Aetas Cineris
The Flaming Lips - The Terror
Lehigh Valley, PA
Seeing as how Jake and I are pretty much the only two (minus a few here and there) that ever discuss hardcore on this site, I usually agree with what he says. I do know that Jake has an odd system on rating shit so I wasn't too surprised when I saw this. I'm giving this album a 4... this album is not perfect in my eyes, mainly because of production quality but it's definitely one of the better straight up hardcore albums to come out this year... besides the new This Is Hell.
Raleigh, NC
Great CD to jam while driving, but no where near a 5 to me.
Wales
The new This Is Hell is another one that mines the NYHC/cross-over thing as well as the new Bitter End (which will be posted soon) and Alpha & Omega. I feel that this record is transcendent in the respect that it not only taps into those influences and nails them, but combines them with some others that outside of a few outliers don't necessarily get much traction in hardcore. Beyond that, the track sequencing, an often overlooked factor, is perfect, the vocals are more variegated from the previous effort and still excellent, I love the lyrics (also diversified), and this band is flat-out airtight instrumentally. As far as production goes, the record leaked a while ago at a very low sound quality, so don't be too quick to judge before hearing it with the intended dynamics. I also felt that Prying Eyes was a 5, so to follow that up was going to take a Herculean effort. It was matched.
http://www.youtube.com/watch?v=bLF9Cm4E15E
I GO TO WORK
Wales
...and there was nowhere near this amount of griping about Tony Danza which I find not only shocking but obscene
http://www.youtube.com/watch?v=bLF9Cm4E15E
I GO TO WORK
Los Angeles
Tony Danza did something different with a tired metalcore genre. This album, while solid and definitely worth high marks, does NOTHING to push the hardcore/thrash genre in a new direction. And honestly? Those James Hetfield ripoff vocals are pretty weak.
5's are albums that people should want to come back to in a couple of years. A 5 should be a testament to a particular genre and style of music. This, is not that. It does nothing that Alpha and Omega, Downpresser, Violation and the rest of them haven't done.
Los Angeles
I will also clarify, I can understand that Tony was a 5, but would not have personally given it a 5, feeling it to be more of a 4.
5's need to be considered hallowed ground.
Minnesota
Yeah, I personally don't think Tony Danza or letlive are perfect albums, but I can definitely see how they could potentially earn a 5/5 rating. This, on the other hand, I personally think is pretty average and have a hard time seeing the justification for the 5/5, even after reading through the review a couple of times.
And, y'know, if the sequencing and lyrics and such were also important points that helped explain why this is a 5/5... well, maybe include that in the review :-)
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Wales
http://www.youtube.com/watch?v=bLF9Cm4E15E
I GO TO WORK
Minnesota
It's interesting to see different people's criteria for giving out the coveted 5/5 score. For me, I might come across one 5 star album a year. Maybe a couple if it's really, really good. I look at them as albums that will stand up as tent-poles in their genre 5-10 years down the line.
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Wisconsin
anyone who rates this a 5 hasn't heard prying eyes.
this album sucks compared to it.
Wales
You're right, I must not have heard Prying Eyes, given that I mentioned it seven times in the review. And if you read the comments, I mentioned that I also gave that a five. Read before you write.
http://www.youtube.com/watch?v=bLF9Cm4E15E
I GO TO WORK
Alabama
I also enjoy this while driving.