City Sleeps - Not an Angel
Rating
RIYL
AnberlinBedlight For Blueeyes
Three Doors Down
Label
TrustkillTracklist
01. Hotel02. Prototype
03. Just Another Day
04. Not An Angel
05. Walker's Ridge
06. Ordinary High
07. I Can't Make You Love Me
08. Andrea
09. Bones
10. Be A Man
11. Sleep With Me
12. Check Out
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Within encountering City Sleep’s Not An Angel, people may look at their album cover and immediately fixate on the band as the subject of their satire. An attractive blonde, inked with tattoos and mascara, stands as the album cover while the band, heaped with the trashy-trendy hard rock outfits, poses inside the case. The stereotype meets further confirmation as they proudly namedrop the bands they’ve toured with: Saliva, Goldfinger, and Three Doors Down.
When a band so easily meets the criteria of a stereotype, it’s easier to judge them. As the band poses, looking like they’re ready to rock and rumble, their music leans more towards the output of a dirty motorcyclist and his poetry. City Sleeps encompasses a theatrical yet rugged silhouette and Not An Angel has the same bittersweet composition.
Introducing the album is “Hotel”, a somber tidbit of City Sleep’s ability to mend together a theatric use of ordinary instruments to create an almost Bohemian Rhapsody which lasts throughout the album. Rather than utilizing classic rock components, the band creates tracks like “Prototype” and “Not An Angel” which consist of the typical hard rock chugging of guitars but with a catchy chorus that brings the lyrics alive.
The writing of their songs is neither unorthodox nor unoriginal; however, a few aberrations from the standard cause a bit of strain. Initially, the first encounter with City Sleeps is awkward. The band has a predilection to have an almost stuttering repetition in lyrics along with their smooth sounds. Both together scratches at the ears. The vocalist, Elliot Marsh Sharp, has a voice somewhat reminiscing of Billy Joe Armstrong on lower notes but often stretches his breath throughout songs. Tracks like “I Can’t Make You Love Me” and “Andrea” are borderline corny in how serious the band takes themselves, especially with how the lyrics “now we all cry like little girls,” are sung in “Bones” with a vocalist screaming, tearing at his vocal chords, repeating “little girls”.
The album starts off on a good note and is very catchy after a little getting used to. The album beautifully oscillates from theatric to hard rock. Not An Angel has points where it’s pretentious, but other points where it’s just perfect.
--Fiona Lee

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Dubuque
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Fishers, Indiana
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Green Brook, NJ
this cd suuuuucks.
Garden State, USA
Actually, I hated it at first but I took such a damn long time reviewing this, it pretty much grew on me. I'm still 50/50 becuase the album is 50/50 so the score is half.
Atlanta
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