Brightback Morning Light - Brightback Morning Light
Rating
RIYL
VetiverNick Drake
Espers
Ghost
Devendra Banhart
Tracklist
1. Everybody Daylight2. Friend of Time
3. Fry Bread
4. Star Blanket River Child
5. All We Have Broken Shines
6. A River Could Be Loved
7. Amber Canyon Magik
8. Black Feather Wishes Rise
9. Come Another Rain Down
10. We Share Our Blanket With the Owl
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No album has ever left me as speechless as Brightblack Morning Light’s new self-titled album. Not only because it’s so fantastic that it leaves me in awe, but because I am at a loss for words on how to describe, and review, this album. On their last release, Ala.Cali.Tucky released under the name Brightblack, it was a very straight-forward, slow, alt-country/folk album that leaned very heavily toward the languid, drunken country songs from way back when. This time around, BML take a different direction with their music. It’s still slow to the bone, but it’s hard to accurately pinpoint their sound.
As stated, this album is slow. After all, the founders and long-time best friends Nathan Shineywater and Rachael Hughes, are both advocates for marijuana usage and legalization. While I hate to stereotype, this album is the perfect soundtrack to a day or evening spent smoking weed with your friends. It’s the blues-y, folk stuff your friends jam out to when you’re out camping in the woods or sitting around a campfire. Shuffling percussions, slide guitar, slinky bass lines, seductive guitars and hushed, sultry vocals mix and churn slowly to mesmerize you and bring a smile to your face. It is absolutely euphoric music, with not a single low moment throughout the album and it radiates a warm, fuzzy feeling from start to finish. Everything on this feels very home-made, like a project done by friends over a long period of time, perfectly honed to a masterful state. The album feels as if it has been in the workings for years. It all comes together and feels very free and natural, and not like they sat down and wrote each song and called it a day. Every song is impeccable in its instrumentation, and each song leads into the next, but the transitions are a bit too obvious and the album could have worked just as well if each song had a definitive end.
From start to finish, this album is pure joy to listen to while doing anything. It’s so slow, the vocals are so soft and hushed, it’s so groovy and involving, and it has set itself apart from all the other country/folk artists out there. This is hippy, stoner music, but it’s not obnoxious about it and is broad enough that most should enjoy it to some extent.
--Eirikur Hallsson

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