Hurt - Vol. II
Rating
RIYL
HinderCreed
Godsmack
Three Days Grace
Tracklist
1 Summers Lost2 Ten Ton Brick
3 Aftermath
4 Abuse of SID
5 Alone With the Sea
6 Talking to God
7 Loded
8 Better
9 Assurance
10 On the Radio
11 Et Al
12 Thank You for Listening
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HURT only released their major-label debut album, Vol 1, back in March of last year and here we are already with Vol 2 - yet another collection of utterly generic modern rock.
For a band connected to some admirable producers and engineers it’s hard to comprehend how lifeless, bland, and absolutely shoddy HURT's records are. Their drummer, Evan Johns, is the son of musical engineer Andy Johns, who has worked on records by Led Zeppelin and The Rolling Stones, not to mention being the nephew of producer, Glyn Johns (The Beatles, The Who, Led Zeppelin), and then the cousin of another music producer, Ethan Johns (Ryan Adams, Kings of Leon).
Lead vocalist, J. Loren Wince, brags about the fact that he studied to be a classical violinist, but like both of HURT's records, his violin playing is barely noticeable. The violin is not a prominent instrument, much like it used to be with Yellowcard, but more of finishing touch added to the final mix, making it no more unusual or important than it is in any other nu-metal or post-grunge record. “On The Radio” is the only track that seems to boast it as a distinguished tool, breaking into some folksy fiddling towards the end.
The only parts of this record that are remotely interesting are “Abuse of Sid” and “Alone with the Sea”. “Abuse of Sid” features some enchanting female vocals, well, collectively for about thirty seconds, and “Alone With the Sea” could be the sort of epic string-laden song used in some sort of big-budget action movie, but not in its current state, but after a remastering and beefing up, maybe.
Wince’s lyrics and vocals are at times cringe-worthy and are way too similar to the angsty pen and pipes of Scott Stapp, which is never a good thing. I can’t help but laugh at the irony of his name, as wince is what his singing and lyrics will probably make you do.
Everything about Vol 2 seems rushed, dreadfully basic, poorly produced and haphazardly arranged with no attention to detail whatsoever. Three songs are even re-recorded from the band's first independently released album, The Consummation, which wikepedia tells us, “The sound quality of this CD is very raw / unmixed”. I dread to think what that sounds like compared to this record.
For a band connected to so many producers, you’d think HURT would be able to pack something with at least a little punch, but they don’t - drums sound damp, guitars lack any crunch and vocals are shaky at best. In truth, HURT sound like Hinder, except worse. If Hinder are a poor man's Nickelback, then HURT are a poor man's Hinder. Nah, scratch that: A homeless man’s Hinder. No, wait: A partially deaf, homeless man's Hinder. Yeah, that’s about right.
--Rich Taylor

Comments
There's no way they're worse than Hinder.... No way. NOTHING is, not even my crap after listening to Hinder.
Green Brook, NJ
Oklahoma
So, I suppose since many people feel a particular way, the reviewer is obligated to agree?
Sacramento, CA
wow.
new foos is tripe.
any otep is horrid.
i'm not defending rich here (not too familiar with his work), but if these are albums he's found to be poor, then i think his track record is fine.
I'm not here to make things better; only to observe and pass judgement.
Los Angeles
postrockpaperscissors
Sacramento, CA
fact-checking is for pussies.
i'm sure that having the facts straight are important when it comes to current data, but i think, personally, that commenting on the past should only be done to show how a band has changed over the years and any other past details can be fudged or outright ignored, because they really have no discernable reason in an album review. just because someone botches this pointless information does not mean the entire review is a waste.
also, i won't be listening to this album either way, so i can't comment on its accuracy.
I'm not here to make things better; only to observe and pass judgement.
Leeds, England
I'm sure "MANY" would agree that anybody who thinks HURT are “a great band” and think that they "clearly stand out" doesn’t really know that much about great music. Not me, personally, but I’m sure many would. If you like HURT that’s fine, and even if you "vehemently disagree" with someones review, that is also fine, but don't resort to throwing childish insults around.
I’ll reiterate: I think this album seems rushed, dreadfully basic, poorly produced and haphazardly arranged with no attention to detail whatsoever. If you don’t agree with that or a review - compose and post a short contrasting critique sharing your opinions on why this album is so great in a constructive form; engage in a proper discussion offering a valid assessment rather than jut bashing and petty name calling.
And I do apologise for the simple mistake of mixing Columbia with Capitol Records.
Minnesota
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Sacramento, CA
I'm not here to make things better; only to observe and pass judgement.
Rich,
I apologize for the petty insults. You got my ire up and your review just seemed a bit harsh. In my opinion, there seems to be more constructive ways to communicate your views on a CD, but to each his own. I will say in response to your review regarding HURT that there are a number of reviews that completely contradict your sentiments. Anyone who is interested, who stops on this thread should make note to visit allmusic.com or Blogcritics.org to get another perspective. They have written as eloquent a review as anything that I would post here.
I wonder if you see the irony in your statement above. You are choosing to believe that someone's opinion on songwriting is lazy, but you have not made the effort to listen for yourself. And while it might appear that their name and album title had little effort put into them, the opposite might also be true.
michigan
Pennsylvannia
because you take it, want it, need it forever
the more you take the effect gets better
which makes you need it to survive
killing yourself no need for knives
Sacramento, CA
i have the best taste in music ever and do not wish to sully my fantastic music-finding and music-listening skills by listening to a band called Hurt.
thanks, though!
sir mix-a-lot
I'm not here to make things better; only to observe and pass judgement.
To compare J. Loren to Scott Stapp is like using the chewbacca theory, or saying Michael Vick is joining PETA... the glove don't fit! Beauty is in the eye of the beholder but this guy has gone blind! Hinder may be a Creed replacement, or maybe not. Who am I to judge one's music. I'm no critic nor do I read their hearts. I don't know whether Hinder sold out to sell albums. On face value, they did, but who is to say they wasn't pressured by their label to produce a single that would appeal to the masses? Can you blame them for that to get the rest of their music out? many bands do that . One single for the album to get released. Alot of people call them one hit wonders, but who listened to the rest of the album. We give a little to get a little, but not Hurt. They gave the proverbial middle finger and said every song is a single... pick one. The thing with Hurt whether listening to Vol I or Vol II is that every song has a deep meaning.The interpretation of the song is left to the listener and if the listener actually opens their ears or turn on their hearing aid then they can find meaning in every song. I know that there are people out there that's lives have been changed for the good because of the hard work that Hurt puts into their music. I am a true believer that their music reached out to someone I love and probably saved his life. Music doesn't get any better than that. Hurt plays for the love of it and the love of their fans. For them it is about the music not themselves. J. Loren and the rest of Hurt lives for the music, and even if they didn't have a record label would still be playing and writing (the best music out there). Just because there close minded and small minded people out there does not give Rich the right to say the things he said.
Everyone has different taste in music and that's fine, but if you listen to Hurt then you know that there's usually a little bit of everything for everyone the trick is you have to listen key word listen. I will listen to music or read a book regardless of the review. I have found that if you go by what critics rate you can miss out on some good stuff. What I do know is that he obviously didn't truly listen to the music or the words. He just wrote something just to write it. To speak of Hurt or J like that should be sac religious. It's a free country and there is free speech but someone needs to put the proverbial sock in this guys mouth.
Oklahoma
For your information the reason that the albums are called volume I and Volume II is because it is collective piece of work and they go hand in hand. The art work is similar for the same reason. Some of the songs interconnect to others, and by the way its the music and lyrics that they wanted the attention on not the name or cover of the album. If you look you will notice that their pictures are not plastered all over the cover. There is a reason for that. Also there is more behind the bands name (Hurt) than I guess you will ever know because you didn't take the time to see it, and if you go on the name of an album alone then lord help your ears (just keep listening to Paris Hilton or Britney Spears). There is actually more creativity behind all of those things combined than you could possibly imagine or understand.
arkansas
Thank you. I enjoy their music in person as well as on my radio. Hurt has a huge stage presence, and it just takes their music to a whole new level. The intensity with which they play is just amazing and that energy to me at least just flows into you. I agree their music is all is meant to be seen and heard, and seeing them just makes you want to scream for more.