Senses Fail
Location
Ridgewood, New Jersey
Website
Bio
Senses Fail will be the band to watch in the next couple of years. With intensely poetic lyrics, cutting drums, and faultless guitar melodies, Senses Fail vigilantly bridges the edginess of hardcore and the passion of punk rock together. Forming in February of 2002, Senses Fail hails from Bergen County New Jersey. Following in the footsteps of many prospering New Jersey bands such as Saves the Day and Thursday, Senses Fail attempts to transcend the mediocrity of the present music scene in hopes to help rebuild a new one. After a short break up, and a couple member changes, over the course of only a year Senses Fail has broken farther into the music scene than they could have ever imagined. With members: Buddy Neilson, Dave Miller, Garrett Zablocki, Mike Glita, and Dan Trapp all having prior band experiences, the music and band came together rather quickly. Soon after their formation, Senses Fail started spreading a buzz throughout VFW halls and Small Clubs all throughout New Jersey. In March of 2002, the group headed into Nada Studios in New Windsor, New York with Producer John Naclerio to demo three songs, followed by three more songs a couple months later which was later released August 16 as the EP "From the Depths of Dreams" on ECA Records in Boston Massachusetts. Within a matter of a couple months the band went on to sell all 1000 copies of the EP that were pressed and began to gain a larger fanbase through online promotion and playing almost every weekend anywhere they could. Only a couple weeks after the release date of the EP, the band began to gain interest from several record labels. The band then received an email and phone call from someone they could have only dreamed of signing to, Drive-Thru Records. A couple weeks after, Richard and Stephanie Reines (the Co-Owners of the Label), flew out to watch the band play and a contract was offered there after. Being fans of the label and of all their bands, Senses Fail gladly accepted their offer and inked a deal with Drive-Thru Records in the Fall of 2002. The band currently has been playing tons of shows and spreading their music throughout the U.S. as well as gaining interest in many other countries. "From the Depths of Dreams" will be re-released on Drive-Thru records with new artwork and 2 bonus tracks. Senses Fail will be heading into the studio with producer Steve Evetts (Saves the Day, Homegrown), to record their debut full length due out late spring/early summer, followed by non-stop touring.
Listening to a new Senses Fail album is a lot like reconnecting with an old friend—although there’s a comforting, indefinable familiarity within all of the New Jersey-based post-hardcore quintet’s records, each new creation is a fleeting snapshot of the lives of its makers, indelibly capturing the things that meant the most during your mutual time apart. The band’s third full-length release, Life Is Not A Waiting Room, is no exception. Having the unenviable task of following 2006’s crushing Still Searching, the album showcases the face-melting musicianship and soul-baring lyricism that define Senses Fail. Once again produced by helmsman Brian McTernan (Thrice, Circa Survive) and recorded in Baltimore, MD, at his Salad Days studio, Life boasts a towering sound akin to a roundhouse kick to the skull. “This is the most fun we’ve ever had as a band,” says singer James “Buddy” Nielsen. “I think we were feeling a lot less pressure this time around, but you’ve always got to do your best.” The New Jersey-based group formed six years ago and released their debut EP, From the Depths of Dreams, in 2002. 2004's Let It Enfold You—their first full-length—was followed by Still Searching, which debuted at 15 on the Billboard Top 200 chart. To date, Senses Fail have performed multiple worldwide tours and their catalog sales have reached over 850,000, yet the band continue to evolve. Although in many ways Life picks up seamlessly where Searching left off, the new album has very distinct, unique qualities, most notably its lyrical content. While Searching wrestled with issues regarding religion and depression, Life is centered squarely on a crumbling relationship, and the desire to see meaningful change. “A lot of this record is written about the recent break up I had with a long-time girlfriend, the first person I have ever been in love with, and someone I spent a lot of time and shared my transition from kid to adult,” explains Nielsen. “The other elements of the record consist of regrets and how they can leave a burning hole in your soul; how the past is something you can’t change….There are also bright moments where I find myself coming to terms with those very facts, and in knowing the problem you can then be proactive and change.” Life also marks the addition of new bassist Jason Black (formerly of Hot Water Music), who replaces the departed Mike Glita. Meanwhile, guitarists Garrett Zablocki and Heath Saraceno (formerly of Midtown) have grown into one of the most scorching six-string tandems around; Life features more of the nimble harmonies showcased on Searching, but this time the duo took it one step further, with some truly shred-a-riffic leads, such as those heard on “Lungs Like Gallows” and “Garden State.” Another rocker, “Wolves At The Door,” was so intense that it even garnered a coveted spot within the soundtrack for the best-selling Madden NFL ‘09 video game. Kicking off with the rich, moody “Fireworks At Dawn,” Life roars and pummels its way through the album’s 12 tracks without the slightest pause for filler, delivering an absolute haymaker just four tracks in with “Family Tradition,” which features the band’s signature blend of dark and melodic. Nielsen’s words are as insightful as they are meaningful. “I find myself at times doing things to live up to other peoples’ expectations, or cutting myself down because I assume that will make me look more humble to the world,” says Nielsen. “So this song is one part a reaction to that, and also about following the footsteps of a family member you don't really know, but who has had a huge influence on you.” Perhaps the most heart-wrenching moments of all come via the two-part song cycle of “Yellow Angels” and “Four Years,” which were inspired by a terminally ill fan named Marcel, who befriended Nielsen at an SF show in Dallas, TX. Nielsen remained in contact with the 18-year-old, who was stricken with cancer of the soft tissue of his face, and endured many painful surgeries and treatments in order to attempt to fend off tumors that were growing in vital areas such as his eyes, nose and throat. When Marcel’s mother notified Nielsen of her son’s worsening condition, the singer flew to Texas, where he spent a great deal of time with this incredibly courageous young man, during the final days of his tragically short life. “It was one of the most intense and stirring times in my life. The sheer pain this 18-year-old boy was in was mind blowing, yet his optimistic outlook and sense of humor was steadfast,” Nielsen recalls. “This kid changed my life and although he is no longer with us, he lives on everyday in the pictures I took with him, to remind myself that life is never as bad as you think it is. So ‘Yellow Angels’ is my reaction to meeting Marcel and how I needed to live in the moment and love myself and life. ‘Four Years,’ on the other hand, is about being influenced by such a life-changing [experience] and having to make new decisions about my relationship and what it really was.”
The album’s title is a succinct, encapsulating statement as to its thematic thrust. Life Is Not A Waiting Room is just as much revelation as it is reflection; the sum total of every ounce of pain, fear, hope and joy that the record exudes.
“I felt I had been living as if I was waiting for something to happen, but I know that is the wrong way to live—it just doesn't promote any sort of happiness,” Nielsen concludes. “The title sums up the direction I want to go in, and what I want to get away from, and it’s a cry to everyone else to stop living like I have.”
Just like the rest of us, Nielsen’s struggle is far from over. But one thing is certain: SF have once again delivered their message with both passion and fury. All one has to do is listen with their ears and heart open—just as an old friend would.
